– She currently using her birth name for her acting career. – On Jit was announced that she signed with the acting agency A-Man Project. – She acted in several Korean dramas: “Take Care of Us, Captain” (2012 – cameo), “After School ‘Lucky or Not'” (2013 – cameo), “I Need Romance 3” (2014) – cameo, “Single Cunning Lady” (2014 – cameo), “After School ‘Lucky or Not’ 2” (2014 – cameo), “Entertainer” (2016 – cameo), “Suspicious Partner” (2017), “My Mister” (2018), “Your Honor” (2018), “Doctor Prisoner” (2019), “Itaewon Class” (2020). – Her hobbies are watching movies and playing golf. – Education: Dongduk Women’s University, Major in Broadcasting – Her nicknames are Ddochi, Bundang’s Lee Nayoung Nara Stage Name: Nara ( 나라) Real Name: Kwon Na-ra (권나라), but she legally changed her name to Kwon Ah Yoon (권아윤) (“Knowing Bros” ep 135) Position: Vocalist, Visual Birthday: MaZodiac Sign: Pisces Height: 172 cm (5’7’’) Weight: 50 kg (110 lbs) Blood Type: A Instagram: facts: – Alice’s ideal type is Yoseob of BEAST because to his singing skills. – In 2021 she signed with Pop Music as a soloist under her birth name. – She debuted as a soloist on Jwith the single album “ Naughty Face“. – When she is flustered, she flushes and acts like she doesn’t know anything. – She is the dorkiest member of the group. Hello Venus Members Profile: Alice Stage Name: Alice (앨리스) Real Name: Song Joo-hee (송주희) Position: Leader, Main Vocalist, Face of the Group Birthday: MaZodiac Sign: Aries Height: 166 cm (5’5’’) Weight: 47 kg (103 lbs) Blood Type: B Instagram: facts: Although the true scale of the impact remains to be seen, there is no doubt that Brave Girls have already broken the mold and defied expectations.Hello Venus’ Fandom Name: Hello Cupid Hello Venus’ Official Fan Color: Lime Green And with their impressive purchasing power, I don't think other Kpop agencies could afford to dismiss the lessons presented here.įor an industry that seems to be turning back time by constantly debuting younger idols, Brave Girls has been a breath of fresh air for age diversity. While funny, these are also clear signs of a growing fandom in an age demographic very much detached from what is conventional in Kpop. There are funny examples such as 'How do I order a coffee truck?' and 'What is their bank account number so I can just send them money'. The sub for Brave Girls on DC gallery (Sort of like Reddit in Korea) has been full of military memes (such as posting the week's schedule in the format of a military report), and men with disposable income who're clueless about fandom culture asking for advice on how to start. So like this for the past month, it has been the case that men clicked on the trending video, fell down the Youtube rabbit hole, and came out the other side as committed fans. Brave Girls being clueless about what slangs the darn kids are using nowadays is also endearing and relatable. These men, who've all served in the military by this age, can appreciate the stories about the their genuine performances and interactions with the military. And while they are receiving attention across all ages and gender, their impact as an older girlgroup has been especially evident for men in their 30s and above. Someone in their 30s and 40s will also have a hard time jumping into Kpop and getting invested in debuting idols who are still teenagers.īrave Girls' meteoric rise to the top has had many interplaying elements behind it, such as their touching story of perseverance in the face of repeated failures. With Kpop's main target audience being the youth, older people and even some former Kpop fans have felt alienated and left out in the everchanging internet/fandom culture and trends surrounding it. Despite Kpop idols being one of the representative images of Korea abroad, idol music has not being representative of the Korean public's preferences for a while now. Although this has been a boon/revival for Trot (a music genre popular with the seniors), this has further compounded the issue by making the youth shun television even more- thus widening the generation gap among entertainment mediums. The result has been the surge of Trot music programs, starting with the highly successful 'Mr. With the youth contributing little to ratings, Korean broadcasters also had no choice but to cater to the interests of older generations. This is a phenomenon seen in many places around the world. With the advent of Youtube and social media, the youth has been watching less and less television.
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